Allen Constantine, a Romanian composer and pianist, presents his latest offering, Opus’85, an album that masterfully blends classical and modern electronic elements. 

Allen Constantine – Opus 85

With a background rooted in classical music and a deep admiration for contemporary composers like Jóhann Jóhannsson and Òlafur Arnalds, Constantine delivers a deeply evocative selection that showcases his musical prowess.

“Adding electronic textures to a strong classical foundation, Allen Constantine unveils a set of compositions drenched in refinement and profound substance with Opus’85.”

Set opener, “Origins,” is a compelling piece that immediately sets the tone for the album. Its haunting crescendo of strings weaves a mysterious atmosphere, while the piano provides a fitting counterpoint. Then, as the composition unfolds, the intensity grows, with the string melodies evolving into an epic and adventurous motif.

At the heart of the album lies the aptly titled “Equilibrium.” Anchored in a central motif that effortlessly balances elegance and vitality, this number showcases Constantine’s ability to craft music that is both emotionally resonant and technically impressive. The piano work dances delicately, while electronic accents add a contemporary flair, creating what might be the collection’s finest moment.

As for the titular composition, it combines piano-led melancholic overtones with electronic textures. This blend results in a poignant portrayal of the convergence between old and new, accentuated by the tension-laden strings that punctuate the composition. 

We also have “Reminiscence”, which stands out as perhaps the darkest and most sombre piece on offer. Here, Constantine marries strong motifs and string arrangements with electronic beats, creating a wall of sound that perfectly establishes a gloomy mood. 

As the album reaches its conclusion, “Limitless” offers a glimmer of hope and optimism, embodying a sense of closure while also leaving room for contemplation. The piano work is delicate yet gripping, and the string arrangement lingers, evoking a sense of anticipation for the possibilities ahead.

Now, on a more personal note, I feel the need to add that I have a strange fascination with Eastern Europe. Taking that and Constantine’s roots into account, I can’t help but think that Opus’85, in a way, encapsulates the essence of that region. 

For many people, Eastern Europe’s appeal lies in its exoticism — vampire-laden folklore, churches, castles, and enigmatic traditions immediately spring to mind. Yet, the dissolution of the Soviet Union has left behind a region grappling with its past while navigating a complex and often challenging present. I feel that this album, with its crashing convergence of classical and electronica, somehow captures this duality — the clash between the weight of tradition and the relentless march of time.

I believe that some listeners will feel the same way when they listen to the album, and this will make it even more appealing to their ears.

Overall, immersed in a rich blend of classical intricacy and modern allure, Opus’85 emerges as a formidable affair, destined to attract those who crave instrumental music with both style and substance.

Discover more from Allen Constantine

Discover more on RCM

Words Fidel Beserra

RELATED ARTICLESMORE FROM AUTHOR